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Abbate, Carolyn. “Sound Object Lessons.” Journal of the American Musicological Society 69, no. 3 (2016): 793–829.
Ahrens, Cameron. Valved Brass: The History of an Invention. Translated by Steven Plank. Hillsdale, NY: Pendragon Press, 2008.
Ames-Lewis, Francis, and Mary Rogers, eds. Concepts of Beauty in Renaissance Art. Aldershot: Ashgate, 1998.
Arlander, Annette, Bruce Barton, Melanie Dreyer-Lude, and Ben Spatz, eds. Performance as Research: Knowledge, Methods, Impact. London: Routledge, 2017.
Atlas, Allan. “Ladies and the Concertina in Victorian England: Some Notes on Manufacturers’ Marketing Strategies.” In Music Cultures in Sounds, Words and Images: Essays in Honor of Zdravko Blažeković, 223–46, edited by Antonio Baldassarre and Tatjana Marković. Vienna: Hollitzer Verlag, 2018. [British music, gender]
Badiarov, Dimitry. “The Violoncello, Viola da Spalla and Viola Pomposa in Theory and Practice.” The Galpin Society Journal 60 (Apr., 2007): 121–45. [Performance practice]
Baker, Geoff. “Latin American Baroque: Performance as a Post-Colonial Act?” Early Music 36 (2008): 441–48.
Bates, Eliot. “The Social Life of Musical Instruments.” Ethnomusicology 56, no. 3 (2012): 363–95.
———. “Actor-Network Theory and Organology.” Journal of the American Musical Instrument Society 44 (2018): 41–51.
Baumann, Dorothea. “Organology as Methodology to Find Realistic Elements: Musical Instruments in a Swiss Marriage Announcement and Glass Panels of the Sixteenth and Seventeenth Centuries.” In Music Cultures in Sounds, Words and Images: Essays in Honor of Zdravko Blažeković, 753–68, edited by Antonio Baldassarre and Tatjana Marković. Vienna: Hollitzer Verlag, 2018.
Beauchamp, James W., ed. Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music. New York: Springer International Publishing, 2007.
Beghin, Tom. The Virtual Haydn: Paradox of a Twenty-First Century Keyboardist. Chicago: University of Chicago Press, 2015.
Béhague, Gerard, ed., Performance Practice: Ethnomusicological Perspectives. Westport, CT: Greenwood Press, 1984.
Belting, Hans. Florence and Baghdad: Renaissance Art and Arab Science. Translated by Deborah Lucas Schneider. Cambridge: Harvard University Press, 2011.
Berliner, Paul F. The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe. Chicago: University of Chicago Press: 1981.
Bigio, Robert. Readings in the History of the Flute: Monographs, Essays, Reviews, Letters, and Advertisements from Nineteenth-Century London. London: Tony Bingham, 2006.
Bijsterveld, Karin and Marten Schulp. “Breaking into a World of Perfection: Innovation in Today’s Classical Musical Instruments.” Social Studies of Science 34, no. 5 (2004): 649–74.
Born, Georgina. “For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn.” Journal of the Royal Musical Association 135, no. 2 (2010): 205–43.
Bonta, Stephen. “From Violone to Violoncello: A Question of Strings?” Journal of the American Musical Instrument Society 3 (1977): 64–99.
———. “Terminology for the Bass Violin in Seventeenth Century Italy.” Journal of the American Musical Instrument Society 4 (1978): 1–34.
———. “The Use of Instruments in Sacred Music in Italy 1560-1700.” Early Music 18, no. 4 (Nov. 1990): 519–25, 527–30, 533–35.
Bowles, Edmund A. “Nineteenth-Century Innovations Used in the Construction of the Timpani.” Journal of the American Musical Instrument Society 5–6 (1980), 74–143.
Boyden, David D. The History of Violin Playing from its Origins to 1761 and its Relationship to the Violin and Violin Music. London: Oxford University Press, 1965.
———. “Monteverdi’s Violini Piccolo all Francese and Viole da brazzo.” 1959. Annales Musicologiques: Moyen-Age et Renaissance. Tome IV. 387–401. Neuilly-Sur-Siene: Societé de Musique d’Autrefois, 1963.
Brewer, John and Roy Porter. Consumption and the World of Goods. New York: Routledge, 1993.
Brown, Clifford M. and Anna Maria Lorenzoni. Isabella d’Este and Lorenzo da Pavia: Documents for the History of Art and Culture in Renaissance Mantua. Geneva: Librarie Droz, 1982.
Bucur, Voichita. Handbook of Materials for String Instruments. New York: Springer International Publishing, 2016.
———. Handbook of Materials for Wind Musical Instruments. New York: Springer International Publishing, 2019.
Carter, Stewart. “Georges Kastner on Brass Instruments: The Influence of Technology on the Theory of Orchestration.” In Perspectives in Brass Scholarship: Proceedings of the International Historic Brass Symposium, Amherst, edited by Stewart Carter, 171–92. Hillsdale, NY: Pendragon Press, 1995.
———. The Trombone in the Renaissance: A History in Pictures and Documents. Hillsdale: Pendragon Press, 2012.
Christmann, Corinna A., Thomas Lachmann, and Stefan Berti. “Earlier Timbre Processing of Instrumental Tones Compared to Equally Complex Spectrally Rotated Sounds as Revealed by the Mismatch Negativity.” Neuroscience Letters 581 (2014): 115–19.
Christensen, Lars. “Imag(in)ing Musical Instruments: Prescriptive Iconography in the Northern Song Dynasty.” Music in Art : International Journal for Music Iconography 43, no. 1-2 (2018): 101-112.
Clarke, Eric and Nicholas Cook, eds. Empirical Musicology: Aims, Methods, Prospects. Oxford: Oxford University Press, 2004.
Cole, Michael. The Pianoforte in the Classical Era. Oxford: Clarendon, 1998.
Crisinel, Anne-Sylvie., and Charles Spence. “As Bitter as a Trombone: Synesthetic Correspondences in Nonsynesthetes Between Tastes/Flavors and Musical Notes.” Attention, Perception, & Psychophysics 72 (2010): 1994–2002.
Dawe, Kevin. “People, Objects, Meaning: Recent Work on the Study and Collection of Musical Instruments.” The Galpin Society 54 (2001): 219–32.
Dennis, Flora. “Organology and Material Culture.” Journal of the American Musical Instrument Society 44 (2018): 18–25.
DeVale, Sue Carole. “Musical Instruments and Ritual: A Systematic Approach.” Journal of the American Musical Instrument Society 5 (1988): 89–123.
De Visscher, Eric. “Museums as Theater: What about Musical Instruments?” Journal of the American Musical Instrument Society 44 (2018): 26–32.
Disley, Alastair C., and David M. Howard. “Spectral Correlates of Timbral Semantics Relating to the Pipe Organ.” Speech, Music, and Hearing 46 (2004): 25–40.
Dolan, Emily I. The Orchestral Revolution: Haydn and the Technologies of Timbre. Cambridge: Cambridge University Press, 2013.
———. “Seeing Instruments.” Journal of the American Musical Instrument Society 44 (2018): 33–40.
———. “Toward a Musicology of Interfaces.” Keyboard Perspectives 5 (2012): 1–13.
Dolan, Emily I. and Alexander Rehding. The Oxford Handbook of Timbre. Oxford: Oxford University Press, 2021.
Duffin, Ross W., ed. A Performer’s Guide to Medieval Music. Bloomington: Indiana University Press, 2000.
Eidsheim, Nina Sun. “Maria Callas’s Waistline and the Organology of Voice.” Opera Quarterly 33, no. 3–4 (Summer–Autumn 2017): 249–68.
Elie, Benjamin, François Gautier, F., and Bertrand David. “Acoustic Signature of Violins Based on Bridge Transfer Mobility Measurements.” Journal of the Acoustical Society of America 136, no. 3 (2014): 1385–93.
Fales, Cornelia. “The Paradox of Timbre.” Ethnomusicology 46, no. 1 (Winter 2002): 56–95.
Fink, Robert, Melinda Latour, and Zachary Wallmark, eds. The Relentless Pursuit of Tone: Timbre in Popular Music. Oxford: Oxford University Press, 2018.
Flückiger, Matthias, Tobias Grosshauser, and Gerhard Tröster. “Evaluation of Piano Key Vibrations Among Different Acoustic Pianos and Relevance to Vibration Sensation.” IEEE Transactions on Haptics 11, no. 2 (Apr.–Jun. 2018): 212–19.
Fréour, Vincent, François Gautier, Bertrand David, and Marthe Curtit. “Extraction and Analysis of Body-Induced Partials of Guitar Tones.” Journal of the Acoustical Society of America 138, no. 6 (2015): 3930–40.
Fritz, Claudia, Allen F. Blackwell, Ian Cross, Jim Woodhouse, and Brian C. J. Moore. (2012a). “Exploring Violin Sound Quality: Investigating English Timbre Descriptors and Correlating Resynthesized Acoustical Modifications with Perceptual Properties.” Journal of the Acoustical Society of America 131, no. 1 (2012): 783–94.
Fritz, Claudia, Joseph Curtin, Jacwues Poitevineau, Palmer Morrel-Samuels, and Fan-Chia Tao. “Player Preferences among New and Old Violins.” Proceedings of the National Academy of Sciences of the United States of America 109, no. 3 (Jan. 17, 2012): 760–63.
Fritz, Claudia, Joseph Curtin, Jacwues Poitevineau, Hugues Borsarello, Indiana Wollman, Fan-Chia Tao, and Thierry Ghasarossian. “Soloist Evaluations of Six Old Italian and Six New Violins.” Proceedings of the National Academy of Sciences of the United States of America 111, no. 20 (May 20, 2014): 7224–29.
Furniss, Ingrid Maren. “Wenren Strumming the Ruan: The Chinese Elite’s Assimilation of a Foreign Lute.” Imagio Musicae: International Yearbook of Musical Iconography 30 (2018): 7–37.
Gaddy, Kristina R. Well of Souls: Uncovering the Banjo’s Hidden History. New York: W.W. Norton & Company, Inc., 2022.
Gordon, Bonnie. “It’s Not About the Cut: The Castrato’s Instrumentalized Song.” New Literary Journal 46, no. 4 (Autumn 2015): 647–67.
Griffiths, John. “Early Vihuelas: Iconography, Organology, Theory, and Practice.” Musique–Images–Instruments: Mélanges En L’honneur de Florence Gétreau, Series: Music and visual cultures, 5 (2019): 213–20.
Greene, Paul D. and Thomas Porcello, eds. Wired for Sound. Middletown: Wesleyan University Press, 2005.
Hayes, Gerald R. Musical Instruments and Their Music, 1500–1750. Vol. 2, The Viols and other Bowed Instruments. London: Oxford University Press, 1930.
Haynes, Bruce. A History of Performing Pitch: The Story of “A.” Lanham: Scarecrow Press, 2002.
Hermes, Kirsten, Tim Brookes, and Chris Hummersone. “The Harmonic Centroid as a Predictor of String Instrument Timbral Clarity.” In Proceedings of the Audio Engineering Society 140th Convention, paper 9557. Paris: 2016.
Hicks, Dan, and Mary Beaudry, eds. The Oxford Handbook of Material Culture Studies. Oxford: Oxford University Press, 2010.
Hill, Matthew. “George Breed and His Electrified Guitar of 1890.” Galpin Society Journal 61 (April 2008): 193–203.
Holman, Peter. Four and Twenty Fiddlers: The Violin at the English Court 1540–1690. Oxford: Clarendon, 1993.
———. Life After Death: The Viola da Gamba in Britain from Purcell to Dolmetsch. Woodbridge, UK: Boydell & Brewer, 2010.
Howell, Mark. “An Organology of the Americas as Painted by John White and Other Artists.” Flower world: Music Archaeology of the Americas/Mundo florido: Arqueomusicología de las Américas 1 (2012): 155–69.
Hutchins, Carleen Maley, ed. Research Papers in Violin Acoustics 1975–1993. 2 vols. Woodbury: Acoustical Society of America, 1997.
Irving, David R. M. “Historicizing Performance Practice: Early Music through Time and Space.” Early Music 41 (2013): 83–85.
Jacobson, Marion. Squeeze This: A Cultural History of the Accordion in America. Urbana: University of Illinois Press, 2012.
Jiang, Wei, Jingyu Liu, Xiaoyi Zhang, Shuang Wang, and Yujian Jiang. “Analysis and Modeling of Timbre Perception Features in Musical Sounds.” Applied Sciences 10, no. 3 (2020): 789.
Johnson, Henry. “An Ethnomusicology of Musical Instruments.” Journal of the Anthropological Society of Oxford 26, No. 3 (1995): 257–69.
Katz, Mark. “The Great War, the Little String, and the Transformation of Modern Violin Playing.” Journal of the American Musicological Society 77, no. 1 (2024): 65–101.
Kenyon, Nicholas, ed. Authenticity and Early Music: A Symposium. Oxford: Oxford University Press, 1988.
Kirsch, Sebastian. “Computed Tomography as a Tool for Archiving Ethnomusicological Objects.” In Computational Phonogram Archiving, edited by Rolf Bader, 157–70. Current Research in Systematic Musicology 5. New York: Springer International Publishing, 2019.
Kirsch, Sebastian and David Mannes. “X-Ray CT and Neutron Imaging for Musical Instruments: A Comparative Study.” In Wooden Musical Instruments: Different Forms of Knowledge, edited by Marco A. Perez and Emanuele Marconi, 329–40. Paris: WoodMusICK, 2018.
Klaus, Sabine. Trumpets and other High Brass. 3 vols. Vermillion: National Music Museum, 2017.
———. “More Thoughts on the Discipline of Organology.” Historic Brass Society Journal 14 (2002), 1–10.
Knight, Roderic C. “A New Look at Classification and Terminology for Musical Instruments.” The Galpin Society Journal 69 (2016): 5–22.
Kolyada, Yelena. A Compendium of Musical Instruments and Instrumental Terminology in the Bible. Translated by Yelena Kolyada and David J. Clark. London: Equinox, 2009.
Kopp, James B. The Bassoon. New Haven: Yale University, 2012.
Koster, John. “A View from the Trenches.” Journal of the American Musical Instrument Society 44 (2018): 52–63.
———. “Cathedrals, Cabinetmaking, and Clavichords.” Clavichord International 4, no. 1 (May 2000): 6–13; no. 2 (November 2000): 40–47; and 5, no. 1 (May 2001): 6–13.
———. “The Clavichord in the Netherlands before Henric Arentss van Zwolle,” Clavichord International 12, no. 1 (May 2008): 6–19.
———. “The Compass as a Musical Tool and Symbol.” Musique-Images-Instruments 5 (2003): 10–31.
———. “The Virginal by Hans Bos, Antwerp, 1578, at the Royal Monastery of Santa Clara, Tordeillas.” In Música de tecla en los monaterios femeninos de España, Portugal y las Américas, edited by Luisa Morales, 67–89. Garrucha: Associción Cultural LEAL, 2001.
Kubler, George. The Shape of Time: Remarks on the History of Things. New Haven: Yale University Press, 1962.
Lawargren, Bo. “Music on Japanese Raigõ Images 700-1700 and Chinese Influences.” In Medieval Sacred Chant: From Japan to Portugal/Canto Sacro Medieval: Do Japāo a Portugal, edited by Manuel Pedro Ferreira, 45–89. Estudos Musicológicos 5. Lisbon: Edições Colibri; Centro de Estudoes de Sociologia e Estética Musical; Universidade Nova de Lisboa, 2008.
Le Cerf, Georges and Edmond-René Labande, eds., Instruments de musique du xve siècle: les traités d’Henri-Arnault de Zwolle et de divers anonymes. Paris: Éditions Auguste Picard, 1932.
LeDuc, Matthew F. “Input Impedance of Sheng Pipes Augmented with Resonators.” The Journal of the Acoustical Society of America 138 (2015): 1935.
Le Guin, Elisabeth. Boccherini’s Body: An Essay in Carnal Musicology. Berkeley: University of California Press, 2005.
Leppert, Richard. Music and Image: Domesticity, Ideology and Socio-cultural Formation in Eighteenth-century England. Cambridge: Cambridge University Press, 1988.
———. The Sight of Sound: Music Representation and the History of the Body. Berkeley: University of California Press, 1995.
Levin, Theodore and Valentina Süzükei. “Timbre-Centered Listening in the Soundscape of Tuva.” In The Oxford Handbook of Timbre, edited by Emily I. Dolan and Alexander Rehding. Oxford: Oxford University Press, 2018.
Libin, Laurence. “Literature as an Adjunct to Organology.” In Music Cultures in Sounds, Words and Images: Essays in Honor of Zdravko Blažeković, 679–702, edited by Antonio Baldassarre and Tatjana Marković. Vienna: Hollitzer Verlag, 2018.
———. “Organology and the Others: A Response.” Journal of the American Musical Instrument Society 44 (2018): 64–75.
———. “Progress, Adaptation, and the Evolution of Musical Instruments.” Journal of the American Musical Instrument Society 26 (2000): 187–213.
Lindley, Mark. Lutes, Viols and Temperaments. Cambridge: Cambridge University Press, 1984.
Lowenthal, David. The Past is a Foreign Country. Cambridge: Cambridge University Press, 1985.
Milnes, John ed. Musical Instruments in the Ashmolean Museum: The Complete Collection. Oxford: Oxford Musical Instruments Publishing, 2011.
Moseley, Roger. “Digital Analogies: The Keyboard as Field of Musical Play.” Journal of the American Musicological Society 68, no. 1 (Spring 2015): 151–228.
Myers, Herbert W. “When Is a Violino Not a Viola da braccio.” The Galpin Society Journal 53 (Apr., 2000): 335–39.
———. “Zacconi’s Viola da braccio Tunings.” The Galpin Society Journal 51 (Jul., 1998): 244–47.
Nykänen, A., and Johansson, O. “Development of a Language for Specifying Saxophone Timbre.” In Proceedings of the 3rd Stockholm Music Acoustics Conference (SMAC 03), 647–50. Stockholm: 2003.
Obata, Satoshi, and Hiroshi Kinoshita. “Chin Force in Violin Playing.” European Journal of Applied Physiology 112 (2012): 2085–95.
O’Brien, Grant. Ruckers: A Harpsichord and Virginal Building Tradition. Cambridge: Cambridge University Press, 1990.
Oleskiewicz, Mary. “The Flutes of Quantz: Their Construction and Performing Practice.” Galpin Society Journal 52 (2000): 201–20.
———. “The Hole Truth and Nothing But the Truth: The Resolution of a Problem in Flute Iconography.” Early Music 29 (2001): 56–59.
———. “A Museum, a World War, and a Rediscovery: Flutes by Quantz and Others from the Hohenzollern Museum.” Journal of the American Musical Instrument Society 24 (1998): 107–45.
———. “The Rise of Italian Chamber Music.” In The World of Baroque Music: New Perspectives, ed. George B. Stauffer, 48–50. Bloomington: Indiana University Press, 2006.
Orden, Kate van. “Descartes on Musical Training and the Body.” In Music, Sensation, and
Sensuality, edited by Linda Phyllis Austern, 17–38. New York: Routledge, 2002.
Papetti, Stefano, Hanna Jarvelainen, Bruno L. Giordano, Sebastien Schiesser, and Martin Frohlich. “Vibrotactile Sensitivity in Active Touch: Effect of Pressing Force.” IEEE Transactions on Haptics 10, no. 1 (Jan.–Mar. 2017): 113–22.
Paté, Arthur, Jean-Loïc Le Carrou, Benoît Navarret, Danièle Dubois, Benoît Fabre. “Influence of the Electric Guitar’s Fingerboard Wood on Guitarists’ Perception.” Acta Acustica 101 (2015): 347–59.
Patteson, Thomas. Instruments for New Music: Sound, Technology, and Modernism. Berkeley:
University of California Press, 2016.
Picken, Laurence. Music from the Tang Court. London: Oxford University Press, 7 vols., 1981– 2007.
Pollens, Stewart. “Some Misconceptions about the Baroque Violin.” Performance Practice Review 14 (2010): 1–13.
———. Stradivari. Cambridge: Cambridge University Press, 2010.
———. “The Violin Forms of Antonio Stradivari.” Journal of the Violin Society of America 13, no. 3 (1993): 87–103.
Randel, Don Michael. “Al-Farabi and the Role of Arabic Music Theory in the Latin Middle Ages.” Journal of the American Musicological Society 29 (1976): 173–88.
Rice, Albert. The Baroque Clarinet. Oxford: Clarendon, 1992.
———. The Clarinet in the Classical Period. Oxford: Oxford University, 2003.
Rioux, Vincent, and Daniel Västfjäll. “Analyses of Verbal Descriptions of the Sound Quality of a Flue Organ Pipe.” Musicae Scientae 5 (2001): 55–82.
Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press 1996.
Rossi-Rognoni, Gabriele. “Preserving Functionality: Keeping Artifacts ‘Alive’ in Museums.” Curator: The Museum Journal 62, no. 3 (2019): 403–13.
———. “Organology and the Others: A Political Perspective.” Journal of the American Musical Instrument Society 44 (2018): 7–17.
Rowland, David. A History of Pianoforte Pedalling. Cambridge: Cambridge University, 1993.
Saitis, Charalampos and Claudia Fritz, Gary Scavone, Catherine Guastavino, Danièle Dubois. “Perceptual evaluation of violins: A Psycholinguistic Analysis of Preference Verbal Descriptions by Experienced Musicians.” The Journal of the Acoustical Society of America 141, no. 4 (2017): 2746–57.
Saitis, Charalampos and Kai Siedenburg. “Brightness Perception for Musical Instrument Sounds: Relation to Timbre Dissimilarity and Source-Cause Categories.” The Journal of the Acoustical Society of America 148, no. 4 (2020): 2256–66.
Schauensee, Maude de. Two Lyres from Ur. Philadelphia: University of Pennsylvania Museum of Archeology and Anthropology, 2002.
Schubert, Emery. “Which Nonvocal Musical Instrument Sounds Like the Human Voice? An Empirical Investigation.” Empirical Studies of the Arts 37, no. 1 (January 2019): 92–103.
Schubert, Emery and DS Fabian. “An Experimental Investigation of Musical Character Portrayed by Piano versus Harpsichord Performances of a J. S. Bach Excerpt.” In Aesthetics and Experience in Music Performance Proceedings of the Musicological Society of Australia National Workshop Brisbane October 2003, edited by E. Mackinlay, D. Collins, and S. Owens S (ed.), 70–84. Newcastle: Cambridge Scholars Publishing, 2005.
Sethares, William A. Tuning, Timbre, Spectrum, Scale. 2nd edition. London: Springer, 2005.
Souza, Jonathan de. Music at Hand: Instruments, Bodies, Cognition. New York: Oxford University Press, 2017.
Sumarsam. Javanese Gamelan and the West. Rochester: University of Rochester Press, 2013.
Tenzer, Michael. “Timbre and Polyphony in Balinese Gamelan.” In The Oxford Handbook of Timbre, edited by Emily I. Dolan and Alexander Rehding. Oxford: Oxford University Press, 2018.
Toff, Nancy. The Development of the Modern Flute. Urbana: University of Illinois, 1979.
Tranquada, Jim, and John King. The ‘Ukulele: A History. Honolulu: University of Hawaiʻi Press, 2012.
Tresch, John and Emily Dolan. “Toward a New Organology: Instruments of Music and Science.” Osiris 28, no. 1 (2013): 278–98.
Vannini, Philip. Material Culture and Technology in Everyday Life: Ethnographic Approaches. New York: Peter Lang, 2009.
Waksman, Steve. Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge: Harvard University Press, 1999.
Walser, Robert. Running With the Devil: Power, Gender, and Madness in Heavy Metal Music. Middletown: Wesleyan University Press, 1993.
Winternitz, Emanuel. Musical Instruments and Their Symbolism in Western Art. New Haven: Yale University Press, 1979.
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Zecher, Carla. Sounding Objects: Musical Instruments, Poetry, and Art in Renaissance France. Toronto: University of Toronto Press, 2007.
Zeller, Matthew. “Reconstructing Lost Instruments: Praetorius’s Syntagma musicum and the Violin Family c. 1619.” De musica disserenda 15, nos. 1–2 (2019): 137–58.
Zhou, Weiping. “Music along the Silk Road: An Iconographical Study of the Instruments Imported from the Western Regions Via the Road.” Journal of Music in China 8 (2018): 17–46.